Okay, did they rip off Los Lobos or was it the other way around?
http://www.youtube.com/watch?v=gkWYZZ3G518
Through the woodland, through the valley
Comes a horseman wild and free
Tilting at the windmills passing
Who can the brave young horseman be
He is wild but he is mellow
He is strong but he is weak
He is cruel but he is gentle
He is wise but he is meek
Reaching for his saddlebag
He takes a tarnished cross into his hand
Then standing like a preacher now
He shouts across the ocean to the shore
Then in a blaze of tangled hooves
He gallops off across the dusty plain
In vain to search again
Where no one will hear
I don't think anyone was "ripping anyone off", here, but there are definitely some shared influences, and people in common. Ali Farka Toure recorded with Ry Cooder on a Grammy nominated project called 'Talking Timbuktu'. Ry Cooder has a similar history and musical roots as the members of Los Lobos. And Ry Cooder had previously made a Grammy winning record called Buena Vista Social Club with a whole collection of fantastic original Afro-Cuban musicians, including Orlando Lopez on the double bass. And I believe that's Orlando playing bass on the video I posted with Ali Farka Toure and Toumani Diabate. And as we know, the Afro-Cuban sound comes from the African slaves brought to the Caribbean and mixing with south American music and culture, many from Mali, where Ali Farka Toure and Toumani Diabate live.Okay, did they rip off Los Lobos or was it the other way around?
I don't think anyone was "ripping anyone off", here, but there are definitely some shared influences, and people in common. Ali Farka Toure recorded with Ry Cooder on a Grammy nominated project called 'Talking Timbuktu'. Ry Cooder has a similar history and musical roots as the members of Los Lobos. And Ry Cooder had previously made a Grammy winning record called Buena Vista Social Club with a whole collection of fantastic original Afro-Cuban musicians, including Orlando Lopez on the double bass. And I believe that's Orlando playing bass on the video I posted with Ali Farka Toure and Toumani Diabate. And as we know, the Afro-Cuban sound comes from the African slaves brought to the Caribbean and mixing with south American music and culture, many from Mali, where Ali Farka Toure and Toumani Diabate live.
So it's all mixed together, as most music tends to be, these days. I just liked this video because it expresses the joy of music, and creative interaction.
tip toe through the tulips | |
Witchita Lineman is still the perfect country song.
Heir, you might should be reported for that vid
I hear that, and have thought the same many times in my life. And not just about music, but all sorts of art styles and expressions. I'm sure that artists are 'tuned into' the pulse of their culture, and the energy of the moment, so it stands to reason that they would pick up on these things and express them, sometimes simultaneously.You have a point. I remember years ago being quite pleased with myself for coming up with this little catchy progression and two weeks later I'm hearing it on the radio. Sometimes I think this stuff is sort of floating in the aether and anyone can pull it down.
I always though Leo Kottke should have gotten together with Ry ... instead he does an album with Rickie Lee Jones ... go figure.
yah, right. It fits him perfectly with his TULIP and allHeir, you might should be reported for that vid
I could have gone the rest of my life without having to see that again.
P.S. But, ya know, put a Fu Manchu on him and he would be a dead ringer for FZ.
Hmmm I was afraid you would say something like that...:doh:yah, right. It fits him perfectly with his TULIP and all
Good. Now you can get over yourself and off of me.Hmmm I was afraid you would say something like that...:doh:
I hear that, and have thought the same many times in my life. And not just about music, but all sorts of art styles and expressions. I'm sure that artists are 'tuned into' the pulse of their culture, and the energy of the moment, so it stands to reason that they would pick up on these things and express them, sometimes simultaneously.
I hear that, and have thought the same many times in my life. And not just about music, but all sorts of art styles and expressions. I'm sure that artists are 'tuned into' the pulse of their culture, and the energy of the moment, so it stands to reason that they would pick up on these things and express them, sometimes simultaneously.
I agree about never needing to see that ever much less again and -
don't worry fzappa a post to you is still on my to do list when I get the chance maybe with that Fu Manchu mustache!
I saw it live the first time ... (note to Knight, we really need a shudder smiley). It's sort of like a car wreck ... you don't want to look but you can't look away.
Looking forward to your threatened post.