Halloween is coming...
Do not mess with this action Hero!
Halloween is coming...
It is good to know that Jack is fully recovered, and that you are alive and well.Halloween is coming...
It is good to know that Jack is fully recovered, and that you are alive and well.
It is good to know that Jack is fully recovered, and that you are alive and well.
Dude, that is very good news. I have been wondering and worried by your absence.Home. Jack will be on breathing treatments and steroids for a few days, beating back the monster that was gnawing on his lungs, but the worst appears to have passed and he can mend in his own home now.
The kind words, both public and private remain much appreciated. :cheers"
Halloween is coming...
It is good to know that Jack is fully recovered, and that you are alive and well.
Thanks. No, I haven't had any training and the shots are just what makes sense to my eye, but I have heard of the rule of thirds and my camera can divide the shot for cropping to meet it after the fact, I think...haven't used a lot of the functions yet. I'm still getting my hands around the essentials.Nice shot. Just enough face on Jack to balance that blowing hair. Don't know whether you know about the Rule of Thirds, or (like my wife) you just have an intuitive sense of where to place the key element, but it was perfect. His left eye is precisely where it should be to draw a viewer into the frame.
Nice Bokeh, isolating your subjects well.
What are you using for a camera? Looks like an APC or full 35mm sensor.
Would that be as effective with high ceiling? Say, fourteen feet or better? And someone told me I should consider an adjustable flash with an omni bounce shield or a pop up flash diffuser to make the built in better...also saw an Explomaging ray flash adapter the literally rings the lens.Second shot is a good use of window light. A1/8th turn of his head to your left would have been excellent. The first illustrates the limitations of on-camera flash. Put a white card in front of the flash, angled at 45 degrees to bounce the light off the ceiling, and it would greatly improve the image.
I'll give it a whirl.Or tape half a ping pong ball over the lens of the on-camera flash. Sort of a tiny softbox. Surprising how well that works.
Our ceilings are beaded board and painted different colors depending on the room, my wife's way of warming and adding the bohemian. She's something of a scandal in the family, but beloved. So, no white and the lowest is twelve (the kitchen) with the rest a darker surface between fourteen and sixteen. That's one reason I shoot most of my indoor Jack photos in an off hall toward a side door. Lots of natural light to help out, though it also presents its own challenge.The high ceiling would probably be OK if it was white. The Nikon should adjust exposure to compensate.