Different Stuff

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[7djengo7]

Democrat TRUMPS Darwinism​

 

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[Nick M]

https://twitter.com/i/web/status/2027530247193956702

 

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[way 2 go]

25 years of no change
25 years of the wrong course of Alzheimer’s treatment

☕️ THE BIG THAW ☙ Thursday, February 6, 2025 ☙ C&C NEWS 🦠

How USAID and the rest of the Deep State machine ruined the Millennium; the stratospheric stakes for all humanity; and what we must do NOW to fight back.

www.coffeeandcovid.com

There are many examples, but perhaps the most obvious symptom of cultural freeze is stalled fashion. The handful of writers calling out stuck culture focus on how distinct was each decade leading up to the Millennium, right before the Patriot Act passed in 2001. Tracing backwards, the cultural evolution trend holds. But from the 90’s forward, zip. Zero. Nada.


In 2020, writer Paul Skallas observed, “If you time travel back to 2007 wearing what you are now, people wouldn't know you're from the future.” They might notice your phone had more cameras clunkily stuck on the back than their phones did. That’s about it.

What about music? Did you know that the market for new music market is shrinking? All the growth in the music market comes from old songs. Today’s list of the most downloaded tracks on iTunes is packed with band names from the previous millennium. So-called “catalog music” —songs older than 18 months— is now over 70% of music streamed in the U.S.

Walk into any restaurant, grocery store, or mall, and you’ll hear background tunes from the 70’s and 80’s. Old music dominates the U.S. market. We aren’t getting anywhere. Until the eighties, DJs called a 20-year-old song a “Golden Oldy.”

But the old music is so ubiquitous now they quietly retired the label “oldy.”

Paul Skallas explained it like this:


It’s almost like someone is controlling the art, music, and fashion industry, keeping it right where it is, thank you. No changes allowed. Or put another way, nothing is allowed that isn’t carefully controlled.

USAID didn’t just export regime change. It exported cultural control, a worldwide bureaucratic freeze that ensured only “approved” ideas, artists, and innovations could break through. We weren’t just ruled; we were programmed.


The freeze of Deep State control extends even deeper than pop culture, news, all media, art, and fashion. Two weeks ago, the New York Times ran a cataclysmic piece by investigative journalist Charles Piller, headlined “The Devastating Legacy of Lies in Alzheimer’s Science.” Sadly, you will believe this unbelievable story, a sordid tale of grubby scientific grift, élite fraud, and real world harm to regular folks — a scheme that was 100% fueled by government diktat courtesy of billions of dollars of completely wasted NIH “grants.”

https://substackcdn.com/image/fetch/f_auto,q_auto:good,fl_progressive:steep/https://substack-post-media.s3.amazonaws.com/public/images/9d253fb0-5d03-42e1-bb16-db31e6fd761f_1253x652.png

rock music influence dialed down

https://x.com/JackPosobiec/status/2028122017954689224?s=20

*https://x.com/JackPosobiec/status/2028122017954689224?s=20
rock music influence dialed down